Title: “Exploring the Wonders of Poor Things: A Quirky Movie Adventure”
In the third week of January, something extraordinary hit the screens – Yorgos Lanthimos’s “Poor Things.” I can confidently say, we won’t find a film this year that’s as funny, filthy, and peculiar as this one. Let’s dive into the wild, explosive world of “Poor Things,” Lanthimos’s second collaboration with the brilliant Emma Stone.
The story, adapted from Alasdair Gray’s 1992 novel by Tony McNamara, introduces us to Bella Baxter, played by Emma Stone. At the start, Bella is nearly silent, like a blank slate. But hold on tight, because she’s about to embark on a journey to become the ultimate self-made woman. And trust me, Stone’s performance is not your run-of-the-mill – it’s courageous, physically committed, and absolutely captivating.
Now, let’s talk about the setting. The period in which “Poor Things” unfolds is a bit tricky to pin down exactly. It’s a mix of gothic and steampunk vibes – a world twisted by power imbalances in society. Lanthimos uses fisheye lenses to literally warp the frame, adding another layer of uniqueness. The film, in a way, is a subversive take on Mary Shelley’s Frankenstein, with Willem Dafoe playing Dr. Godwin Baxter, Bella’s unorthodox creator and guardian.
As the story progresses, we follow Bella’s journey from Godwin’s mansion to London, Lisbon, Athens, and finally a Parisian brothel. The film’s visual palette changes along with Bella’s experiences, shifting from black and white to a hyperreal, hand-tinted Victorian look. It’s a visual treat that adds to the film’s overall charm.
Now, let’s talk about the magic that happens when Yorgos Lanthimos and Emma Stone join forces. This collaboration started with “The Favourite,” and it’s clear they bring out the best in each other. Lanthimos, known for his surreal debut “Dogtooth,” and Stone, a risk-taker, create a movie that oozes uninhibited artistic daring. It’s a partnership rooted in trust, and it shines through in every frame.
Stone’s performance deserves special mention. It’s not just about the nudity and sex scenes (although there’s quite a bit of that). It’s about how she uses her body to convey Bella’s journey. The way she inhabits space, controls her gangling limbs, and expresses emotions on her face – it’s a masterclass in physicality. Stone brings Bella to life in a way that makes her journey truly immersive.
Let’s not forget the music. Jerskin Fendrix’s eccentric score is the perfect companion to Bella’s intellectual growth. From the uneasy, detuned motif at the beginning to the gradual build of intricacy, the music mirrors Bella’s evolving understanding of the world.
The design teams and Robbie Ryan’s camera work also play a crucial role in creating the carnival of oddness that is “Poor Things.” Holly Waddington’s costumes, Shona Heath and James Price’s production design – every detail is fascinating. Bella’s bedroom in Godwin’s house, adorned with quilted ivory satin vignettes, adds an opulent twist to the setting. The outside world, influenced by art nouveau design, is a mix of phallic imagery, fallopian curlicues, and vulvic buds – a pervert’s playground of subliminal smut.
In conclusion, “Poor Things” is not your average movie. It’s a captivating, endlessly fascinating journey filled with subversive spins, humor, and a touch of the peculiar. Lanthimos and Stone’s collaboration elevates it to another level of artistic expression. If you’re up for a wild ride that’s funny, filthy, and utterly unique, “Poor Things” should be on your watchlist. So, buckle up and get ready for a cinematic adventure like no other!